Naivedya: Sweet Appe

Nothing shouts coastal cuisine than an abundance of coconut in it. Other than seafood, that is. But we are still in the festive mood and so lets just stick to the coconut part. If I had any doubts regarding the role coconut plays in our life, they are crushed to smitterens every time I ask my mom for a traditional recipe. And it was replayed again when I asked for the recipe of Goud(Sweet) Appe (dumplings?). These appe are the traditional naivedyam offered to Ganpati during the Chavathi festival. They are made of, among other things, coconut and jaggery which seems to be a recurring theme in all the forms of prasad that is offered to this diety. Of course, growing up they were not my favorite things but as is the case with things, once they were no longer present I missed them. I asked my mom for the recipe so that I could recreate it this year. Now we are all familiar with the way moms tend to dispense recipe nuggets. However, with traditional recipes like these which are made once a year, my mom has exact proportions for all the ingredients except they are in coastal cuisine lingo.

Do you all remember basic geometry theorems? You have one-line theorems that you have to prove using other one-line theorems that could be proved using the current theorem you are trying to prove? You do? Good. Because deciphering the recipe is almost the same. Of course, there are some basic assumptions.

First, the ingredient list.

“Ekka Narla-ka, ek Kilo Goud aNi ek Kilo Rawa”

Translation:

For one coconut, one kilo jaggery and one kilo rawa.

Assumptions:

1) One coconut = gratings of one coconut.
2) Size of said Coconut = medium.
3) Any konkani worth his/her salt would know what a medium coconut is. (Have I not taught you anything, O clueless child of mine?)

Procedure Part 1.

Narla Vatooche, goud ghalnu melNu yevve tai vatooche. Kadeke rawa ghalnu ek pati ghundache

Translation:

Grind coconut, add jaggery and grind till everything is mixed. Finally add rawa and blend once to mix.

Assumptions:

1) 1 kilo Jaggery = 1 kilo jaggery grated.
2) Cardamom not mentioned is cardamom included.
3) Grind coconut = grind coconut till just enough.
4) Any konkani worth his/her salt would know how much is just enough. (Have I not taught you anything, O clueless child of mine?)

Procedure Part 2.

Don ghante puNi bareen kaNu dAvarche. Maagiri hoguru Ujjari toLNu kadche.

Translation:

Keep aside for at least two hours and deep-fry on a low flame.

Assumptions:

1) Deepfrying Fat = Ghee.

The last one is the best because she manages to give the most important tips for the recipe in one sentence. One, to let the mixture rest and two, to deep fry on a slow flame. How do you know when it is cooked? Any Cook worth his/her ……

—-Sorry Mom—–

Goud Appe

The biggest challenge after deciphering the recipe was to convert it into cup measures. Even though I have access to a coconut, the necessary implements for grating it and the enthu to grate it, the output from those proportions would still take us weeks to finish off. The second problem was the deepfrying the mixture. There is essentially no binder ingredient (like flour) in this mixture and it depends on the rawa absorbing all the liquid from the coconut and jaggery to help keep it together. The resting period goes a long way in achieving that. I have cribbed about my bender before and I do it again. In my kitchen, it is doing a job it is not engineered to do. Extra liquids go a long way in achieving this. More liquids means more trouble for the mixture to bind together. So, I decided to forgo the deepfrying to actually making them like appe. Which means access an Aebleskiver pan or the japanese takoyaki pan or the appam pan is essential.

Recipe :

Grind in a blender/ mixie, till the gratings seem like an homogenous mixture and not separate grains

2 cups Coconut gratings

using water, only as required. Once done, add

2 1/2 cups of jaggery, grated

and blend till the jaggery disintegrates. Add

1/2 tsp Cardamom/Elaichi powder, fresh always good.
1 cup Rawa/Sooji

and blend once just to mix everything together. Remove to a bowl and set aside to rest for at least 2 hours. I kept it for 4 hours.

Heat the appam pan. Lower flame to medium-low. Pour

1 tsp melted ghee, in each depression

When the ghee heats up, add

2 tbsp of the mixture, in each depression

This needs to be done very gently, be careful of the splattering ghee. Cook uncovered till the mixture on top changes color. Gently turn the appe over. You might have to slightly scrape the sides of each depression to do that. I use a small knife for the scraping and a spoon to turn it over. Cook until the other side browns up. Remove and drain on paper towels.

This recipe yields 32 appe. This post also joins the Festive cooking series: Ganesh Chaturthi at The Yum Blog.

GaNpati Bappa Morya…

Naivedya : Malai Modak

My favorite Deity is celebrating his birthday today.

I am missing Bombay, I am missing Wadala Math and Krida Mandir and more than that I am missing my family. Even with loud music blaring from speakers and all the vargani politics in Bombay, this festival rocks!

Happy Ganesh Chaturthi, Happy Chavathi, Everyone!

On the day before Chavathi, we have Gauri/VaiNa pooja.

Vaina Pooja 2007

A humble coconut goes from a hard nut to a beautiful woman’s face. All of the dried husk from its shell are removed. In fact, I actually take a knife and scrape on the hard shell to make it as smooth as possible. Each family takes pride in how smooth they can make the coconuts surface. The three “eyes” of the coconut become its face. The top two are applied “KaJaL” to signify its eyes while the bottom one is applied “Shindor” to imply the mouth/lips. The “Shindoor” is orange powder and different from the ” KumKum” which is red. ‘Gaandh’, sandalwood paste is applied in between the “eyes” to signify the ‘bindi’ ( and the ‘Savashini’-married not widowed status). Kumkum is applied on top of the “Gaandh’ and a flower on top of the coconut making the transformation to a ‘Savashin’ complete. At the end of the pooja and just before the aarti, a little ‘diva’ is replaces the flower turning the ‘Savashini’ into gauri/vaiNa. After the pooja, each of the VaiNa is distributed to all the ‘savashin’ females of the house.

Till tomorrow people…